Balancing Comfort and Crisis

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A shift is emerging in the genres. Some readers are seeking stories that prioritise comfort over conflict, seeking an escape, they say, from real-world stress – something they don’t get from tension-driven narratives.

Do the rise of cosy romance, the cosy mystery or the cosy fantasy suggest a trend? Are “no or low conflict” stories even possible? Are these requests for ‘no conflict’ prompted by something else?

Or is the term “conflict” the actual issue?

Readers are reporting being frustrated by traditional storytelling that ‘demands’ escalating tension and a third act crisis. This form of reader dissatisfaction might explain why “low conflict” is gaining a following. Think about it. perhaps writing a ‘low conflict’ story doesn’t require getting rid of every challenge a character faces. Perhaps writing a cosy does require the writer avoiding predictable and inorganic problems. Perhaps, ticking the boxes is not enough, especially if done carelessly.

Many readers equate the term, ‘conflict’, with high-stakes drama, acts of betrayal, that third-act ‘dark night of the soul’. But does that automatically mean our readers reject all forms of tension? Or are they rejecting characters suffering unfounded foreboding or baseless differences of opinion?

How many times can you recognise a trope unfolding without thinking: Not this again!

The Appeal of Low Stakes

Low stakes stories seem to opt for greater emotional resonance and a character-driven storytelling rather than plot twists. The stories focus on small, everyday moments. For readers who prefer comfort reads, the appeal is obvious.

Characters face challenges that feel proportionate and authentic rather than contrived or catastrophic.

At the same time, cozy mysteries still contain suspense, although it’s lighthearted. Cozy fantasy prioritises atmosphere over high-stakes adventure – hobbits’ hairy feet and elderberry wine rather than a clash of swords. Or of hearts.

A Story Without Conflict? Nah.

The biggest challenge for writers thinking to embrace the cosy has to be maintaining their balance.

Conflict remains the engine of storytelling—it’s what makes readers turn the page. Even low-stakes needs questions to create narrative momentum.  If every problem resolves too early, what is there to keep the story going?

“Conflict-free” stories risk feeling aimless. Characters meet half way through chapter one. After couple of chapters of mild social jockeying they become friends. They buy a pub together a couple of chapters later and in their spare time go on occasional hikes in the hills! This will be a pleasant experience for some. Others will find it dull.

You can’t get no Satisfaction?

The truth about trends, particularly this one, is obvious.

Some readers crave tension, excitement, while others seek warmth. Dark stories full of righteous anger, betrayal, and redemption remain popular, proving many readers continue to relish conflicted characters. And an occasional clash of swords. At the same time, cozy, slice-of-life mystery, romance and fantasy are flourishing, offering a different kind of satisfaction.

Trends are like fashion—some stick around, while others are best forgotten as quickly as last year’s miso soup craze. But if the thought of snuggling into “cosy” vibes does tickle your fancy, then aim to spice up your characterisation. Turn that bland setting into a plush wonderland that even a cat would envy! Remember to sprinkle in some atmosphere. I mean who doesn’t love lounging in their pajamas while engaging in daily rituals like 12-hour streaming binges?

Aim less for ‘what happens next’ and more towards ‘I am never leaving this world’.

Workshop with Marianne de Pierres

It’s been confirmed – Marianne de Pierres is on board to present two workshops at next years WriteFest. We’re excited, we know you’re excited, so keep Saturday 19th May 2012 free for WriteFest.

Stranger in a Strange World – Writing Sci Fi and Fantasy

Award-wining SF author Marianne de Pierres has been described by reviewers as “an utterly convincing world-builder” whose “descriptions are lush and evocative but never bogged down in superfluous detail.” In this workshop Marianne shares her keys to creating convincing, compact world-building. Learn how to cut the waffle.

Nothing Sweet About Me – Writing Crime

Davitt award winning author Marianne Delacourt shares her insights on writing humorous crime set in Australia. Plotting backwards, making your setting one of your characters, creating a likeable protagonist and knowing when to shed blood are just some of the things covered in this lively, fun workshop.

Marianne de Pierres

Marianne de Pierres is an award-winning author who publishes novels in the science fiction, fantasy, crime and young adult genres. Her stories have been translated into other languages, adapted into a role playing game and an animation. Visit her websites at http://www.mariannedepierres.com, http://www.tarasharp.com and http://www.burnbright.com